SONY SLOG LUT REC709 PRO
709 color space and makes color grading a snap in Adobe Premier Pro CC, Apple Final Cut Pro X or Blackmagic. These luts like any luts will require slight adjustments. Nikons N-Log 3D LUT is available for the Rec. Generally its a good idea to put a node before the LUT so you can adjust gamma or gain prior to applying the LUT.
I applied these LUT's in Davinci without any further processing or correction to the image to give an idea of the different looks attibuted to them. Luts should be used as a tool not a crutch!Įvery single image is slightly different in framing, color, and lighting. various F55/F65 slog2 to REC709 LUTs samples. This is the LUT that is/was used in all of my footage prior to creating a Look, essentially bring the LOG footage back to a REC-709 color space. This LUT was built in Davinci resolve and was built for footage that is overexposed by 1.5 to 1.7 stops. It’s important to expose properly, LUTs are not the end all be all form of color grading, they are a base to build off of. Description This is my Built-From-Scratch SLOG3 LUT. NOTE: With SLOG3, most people recommend you over expose by +1 - +2 stops, I dont! Expose to what feels right, I find that I tend to expose a pretty natural way, where I dont need to bring it down too heavy in post.Ĭreated in Davinci Resolve, designed for Sony SLOG3 with S-Gamut3.Cineįor Premiere users, use the creative tab in Lumetri, to adjust the strength needed as to preference. Developed alongside VENICE and also applicable to FX9, s709 renders imagery in subtle colours, with smooth colour gradation and a softer low contrast tone curve. Some conversion LUTs are pretty stylized and contrasty, and I found this approach to be my favorite. Sony Slog3 To Rec709 Lut Spectre is a color grading LUT pack designed to add beautiful style to footage shot in S-Log 3 on Sony cameras.
With this conversion LUT, I went for a natural clean base where you have the latitude to add / take away contrast, sat, etc. best LUTs that can apply to S-Log3 on a7iv for out of the box look Im relatively new to videography and have only shot in S-Cinetone so far. After getting asked how I grade my footage, I was inspired to create a conversion LUT for SLOG3 that is natural and beautiful.
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